<p><br></p><p><img src="/se_upload/gokamsEdt_210125_120118423.jpg" title="gokamsEdt_210125_120118423.jpg"><br style="clear:both;"></p><p><br></p><p><br></p><p><strong style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 16px; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-size: 12pt; line-height: 28.8px;">BORDERLINE</span></strong><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">음악은 ‘순간’을 통해 ‘있다’,‘없다’로 남게 된다. 이 모든 것이 존재의 경계에서, 관객과 소통하고 호흡해야 만이 비로소 음악은 ‘있다’라고 할 수 있다.</span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">이러한 실체를 확인하는 과정과 순간을 음악적으로 표현하고자 하였으며, 기존 작품과는 전혀 다른 음악적 색채와 이미지를 선보이고자, 연주법 다변화 및 주법 계발을 통해 음악적 한계를 넘고자 하였다.<br style="box-sizing: border-box;"></span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">Music 'exists' or 'doesn't exist' through 'moments.' On the border of existence, music is regarded as 'existing' only when it communicates and breathes with the audience. Our music expresses such processes and moments of verifying existence. In an attempt to present musical colors and images that are completely different from those of our existing works, we are willing to go beyond our musical limits by diversifying techniques and developing new ones.</span></p><p><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 16px; letter-spacing: -0.48px;"><strong style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 16px; letter-spacing: -0.48px;">[프로그램 및 출연진]</strong></p><p><strong style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 16px; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; font-size: 12pt; line-height: 28.8px;">듀오벗 DUOBUD</span><br style="box-sizing: border-box; font-size: 12pt;"></strong><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">듀오벗은 전통 타악 연주자와 가야금(선율) 연주자로 구성된 여성 듀오로, 전통음악 안에서 장르별, 악기 별로 구분되는 다양한 장단과 가락, 주법을 장르 간의 경계를 넘어 새롭게 편성, 연주하는 실험을 통해, 한국전통음악 고유의 요소를 간직하면서도, 악기와 전통 장르가 가진 음악적 가능성을 확장시켜 정형성을 탈피한 창작 음악을 선보이고 있다. 특히, 타악과 선율 듀오의 구성은 강렬하고 직선적 에너지의 타악 연주와 서정적인 가야금 선율의 서로 대비되는 음악적 매력을 통해 한국전통 타악과 선율 악기의 음악적 표현 영역 또한 확장시킨다.</span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;"></span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">By taking nature as their musical theme, the female Korean folk musicians, DUO BUD presents music of comfort and healing with traditional percussions and Gayageum melodies.</span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">The composition of percussion and duo allows showing the contrast between percussions of direct and explosive energies and lyrical melodies.</span><br style="box-sizing: border-box; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px;"><span malgun="" gothic";="" line-height:="" 28.8px;="" margin-top:="" 0px;="" margin-bottom:="" 0px;"="" style="box-sizing: border-box; margin: 0px; padding: 0px; border: 0px; color: rgb(17, 17, 17); font-family: "Malgun Gothic"; font-size: 12pt; letter-spacing: -0.48px; line-height: 28.8px;">In the other hand, the percussions are also dedicate to the extent that one’s breaths can be heard and the Korean harp is played with a boldness reminiscent of electronic sound, resulting in a harmony expanding the expressive realms of both percussion and melodic instruments.</span></p>